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{{Infobox Actor| name = James Cameron| image = James_Cameron.jpg| imagesize = 240px| caption = James Cameron, in 1986| birthdate = | location = Kapuskasing, Ontario, Ontario, Canada
1998 [Titanic (1997 film)
Academy Award for Best Picture
1998 Titanic (1997 film)
Academy Award for Film Editing
1998 Titanic (1997 film)| goldenglobeawards = Golden Globe Award for Best Director - Motion Picture
1998 Titanic (1997 film)| goldenraspberryawards = Razzie Award for Worst Screenplay
1985 Rambo: First Blood Part II]
1984 The Terminator
1986 Aliens
Saturn Award for Best Direction
1986 Aliens
1989 The Abyss
1991 Terminator 2: Judgment Day
1994 True Lies] (1985-1989)
Kathryn Bigelow (1989-1991)
Linda Hamilton (1997-1999)
Suzy Amis (2000-)], 1954) is an Academy Award winning Canada film director, Film producer and screenwriter. He is noted for his action film/science fiction film films, which are often highly successful financially and innovatively. Thematically, James Cameron's films generally explore the relationship between human and technology. Cameron directed the film Titanic (1997 film), which went on to become the top-grossing film of all time, with a worldwide gross of over United States dollar1.8 billion. He also created the Terminator (series) franchise.

Background James Cameron was born in Kapuskasing, Ontario, Ontario, Canada, to Phillip, an electrical engineer, and Shirley Cameron, an artist. He grew up in Chippawa, Ontario, and in 1971 his family moved to Brea, California. There he studied physics at California State University, Fullerton, but his passion for filmmaking would draw him to the film archive of University of California, Los Angeles at every opportunity. After seeing the film Star Wars, Cameron quit his job as a truck driver to enter the film industry.The Force Is With Them: The Legacy of Star Wars, 2004

Early career He started in the film industry as a screenwriter, then moved into art direction and effects for films such as Battle Beyond the Stars and Escape from New York. Working with producer Roger Corman, Cameron landed his first directorial job in 1981 in film for the film Piranha II: The Spawning, shot at Grand Cayman Island for the underwater diving sequences, and in Rome, Italy for most of the interior scenes. He was originally hired as the special effects director (and his hand in story-writing can be suspected under the H. A. Milton pseudonym on the original script), and took over the direction when the original director left.

Major films The Terminator During his stay in Rome, he fell ill and had a nightmare about a machine emerging from a fire to kill him. While recovering, Cameron materialized the idea for The Terminator. He finally completed a screenplay, and decided to sell it so that he could direct the movie. However, the production companies he contacted, while expressing interest in the project, were unwilling to let a first-time director make the movie. Finally, Cameron found a company called Hemdale Pictures, which was willing to let him direct. His soon-to-be-then-wife, Gale Anne Hurd, who had started her own production company, Pacific Western Productions, had previously worked with Cameron in Roger Corman's company and agreed to buy Cameron's screenplay for one dollar, on the condition that Cameron direct the film. Hurd was signed on as producer, and Cameron finally got his first break as director. Orion Pictures would distribute the film.

Initially, for the role of the Terminator, Cameron wanted someone who wasn't exceptionally muscular, and who could "blend into" a normal crowd. Lance Henriksen, who had starred in Piranha II: The Spawning, was considered for the titular role, but when Arnold Schwarzenegger and Cameron first met over lunch to discuss Schwarzenegger playing the role of Kyle Reese, both came to the conclusion that the cyborg villain would be the more compelling role for the Austrian bodybuilder; Henriksen got the smaller part of LAPD detective Hal Vukovich and the role of Kyle Reese went to Michael Biehn. In addition, Linda Hamilton first appeared in this film in her iconic role of Sarah Connor (Terminator), and later married Cameron.

The Terminator was a box office hit, breaking expectations by Orion Pictures executives that the film would be regarded as no more than a sci-fi film, and only last a week in theaters. The film was low-budget ($6.5 million), but it earned over $38 million domestically.

Rambo: First Blood Part II During the early 1980s, Cameron wrote three screenplays simultaneously: The Terminator, Aliens (film), and the first draft of Rambo: First Blood Part II. While Cameron would continue with The Terminator and with Aliens, Sylvester Stallone eventually took over the script of Rambo: First Blood Part II, creating a final draft which differed radically from Cameron's initial version. Cameron was credited for his screenplay in the films final credits.http://www.amazingcameron.com/biography.html

Aliens (film) Cameron next began the sequel to Alien (film), the 1979 film by Ridley Scott. Cameron would name the sequel Aliens (film), and would again cast Sigourney Weaver in the iconic role of Ellen Ripley (the sole survivor from the first film). According to Cameron, the crew on Aliens was hostile to him, regarding him as a poor substitute for Ridley Scott. Cameron sought to show them The Terminator but the majority of the crew refused and remained skeptical of his direction throughout production. Despite this and other off screen problems (such as clashing with an uncooperative camera man and having to replace one of the lead actors - Michael Biehn of Terminator took James Remar's place as Corporal Hicks), Aliens became a box office success, and Sigourney Weaver received a nomination for Best Actress during the 1986 Academy Awards. In addition, the film and its lead actress made the cover of Time (magazine) as a result of its breakthrough feminist themes about women in combat. Following the phenomenal hit of the film, Cameron now had more freedom to make whatever project he wanted.

The Abyss Cameron's next project stemmed from an idea that had come up during a high school biology class. The story of oil-rig workers who discover otherworldly underwater creatures became the basis of Cameron's screenplay for The Abyss, which cast Ed Harris, Mary Elizabeth Mastrantonio and Michael Biehn. Made on a budget of about $41 million U.S.,Paula Parisi, Titanic and the Making of James Cameron, 1998, pg. 19 it was considered to be one of the most expensive films of its time, and required cutting-edge effects technology. Because much of the film takes place underwater and the technology wasn't advanced enough to digitally create an underwater environment, Cameron chose to shoot much of the movie "reel-for-real," at depths of up to 40 feet. For creation of the sets, the containment building of an unfinished nuclear power plant was converted, and two huge tanks were utilized. The main tank was filled with 7.5 million gallons of water, and the second 2.5 million gallons. There, the cast and crew would reside for much of the shooting.

The Abyss opened on August 9, 1989 with $9.3 million in 2nd place at the boxoffice behind Parenthood.Boxofficemojo.com It ultimately earned $54.5 million domestically, $46 million in foreign marketsBoxofficemojo.com and a mostly lukewarm response from critics. Cameron would later release a special edition version of the film in spring of 1993, restoring deleted scenes, including the film's climax as it had been originally conceived. The film was nominated for four Academy Awards: Best Visual Effects, Best Art Direction, Best Cinematography, and Best Sound. It won for Best Visual Effects. After the release of The Abyss, Cameron founded his own production company called Lightstorm Entertainment, which produced all of his subsequent films.

Terminator 2: Judgment Day After the success of The Terminator, there had always been talks about a sequel to continue the story of Sarah Connor and her struggle against machines from the future. Although Cameron had come up with a core idea for the sequel, and Schwarzenegger expressed interest in continuing the story, there were still problems regarding who had the rights to the story, as well as the logistics of the special effects needed to make the sequel. Finally, in mid-1990, Mario Kassar of Carolco Pictures secured the rights to the sequel, allowing Cameron to greenlight production of the film, now called Terminator 2: Judgment Day.

For the film, Linda Hamilton reprised her iconic role of Sarah Connor (Terminator).http://www.ew.com/ew/report/0,6115,314767_7%7C14651%7C%7C0_0_,00.html In addition, Arnold Schwarzenegger also returned in his role as The Terminator, called the Cyberdyne Systems Model 101, but this time as a protector. Unlike the Model 101, who is made of a metal endoskeleton, the new villain of the sequel, called the T-1000, was a more advanced Terminator made of liquid metal, and with polymorphic abilities. The T-1000 would also be much less bulky than the Model 101. For the role, Cameron cast Robert Patrick, who was a sharp contrast to Schwarzenegger. Cameron explained, "I wanted someone who was extremely fast and agile. If the T-800 is a human Panzer tank, then the T-1000 is a Porsche."

Cameron had originally wanted to incorporate this advanced-model Terminator into the first film, but unfortunately the special effects at the time were not advanced enough. The ground-breaking effects used in The Abyss to digitally realize the water tentacle convinced Cameron that his liquid metal villain was now possible.

TriStar Pictures would distribute the film under a locked release date that was only about one year away from when shooting would begin. The movie, which was co-written by Cameron and his longtime friend, William Wisher, Jr., had to go from screenplay to finished film in just that amount of time. Like Cameron's previous film, it was one of the most expensive films of its era, with a budget of about $100 million. The biggest challenge of the movie was the special effects used in creating the T-1000. Nevertheless, the film was finished on time, and released to theaters on July 3, 1991.

Terminator 2, or T2, as it was abbreviated, broke box-office records (including the opening weekend record for an R-rated film), earning over $200 million domestically, and over $300 million overseas, and became the highest-grossing film of that year. It won four Academy Awards: Best Makeup, Best Sound, Best Sound Effects, and Best Visual Effects.

True Lies Before the release of T2, Schwarzenegger came to Cameron with the idea of making a remake of the French comedy titled La Totale. Titled True Lies, with filming begun after T2's release, the story revolves around a Espionage who leads a double life as a married man, whose wife believes he is a computer salesman. Schwarzenegger would be cast as the secret spy, named Harry Tasker, whose mission in the movie is to investigate and stop a plan by Arab terrorists to use nuclear weapons against the United States. Jamie Lee Curtis would play Schwarzenegger's onscreen wife, with Tom Arnold (actor) cast as the secret agent's sidekick.

Cameron's Lightstorm Entertainment signed on with Twentieth Century Fox for production of True Lies. Made on a budget of $115 million and released in 1994, the film earned $146 million in North America, and $232 million abroad.

Titanic (1997 film) Cameron expressed interest in the famous sinking of the ship RMS Titanic. He decided to script and film his next project based on this event. The picture revolved around a fictional romance story between two young lovers from different social classes who meet onboard the ship's maiden, and final, voyage. Before production began, he took dives to the bottom of the Atlantic and shot actual footage of the ship underwater, which he would insert into the final film.

For the film Titanic (1997 film), Cameron cast Leonardo DiCaprio, Kate Winslet, and Billy Zane. Cameron's budget for the film reached about $200 million, and it became the most expensive movie ever made. Before its release, the film was widely ridiculed for its expense and protracted production schedule.

Released to theaters on December 19, 1997, Titanic opened with $28 million on its first weekend. The film's grosses escalated in the next several weeks. Titanic was one of very few modern movies to gross more in their second weekend than their first. Its gross increased from $28.6 million to $35.4 million from week 1 to week 2, an increase of 23.8%, unheard of for a wide release, and a testament to the appeal of the movie. This was especially noteworthy, considering that the film's running time of more than three hours limited the number of showings each theater could schedule. It held the #1 spot on the box-office charts for months, eventually grossing a total of over $600 million domestically and more than $1.8 billion worldwide. Titanic (1997 film) became the highest grossing film of all time. (Adjusting for inflation, the film brought in the sixth-highest domestic (U.S. only) gross of all time.) http://www.boxofficereport.com/atbon/adjusted.shtml The CG visuals surrounding the sinking and destruction of the ship were considered spectacular. During the 1998 Academy Awards, the film won a record-tying 11 Oscars. Among them were Best Picture and Best Director.

Dark Angel Cameron had initially next planned to do a film of the comic book character Spider-Man, a project developed by Menahem Golan of Cannon Films. Disputes arose focusing on Golan's role in the Carolco project. A screenplay dating back to 1989 exists with Cameron's name appended to it, indicating erroneously he worked with a series of writers on the project (John Brancato, Barry Barney Cohen, Joseph Goldmari "Joseph Goldman," Menahem Golan's pen name and Ted Newsom), but the script was identical to one presented to Columbia Pictures by Golan in 1988, where the project had been in development (Cameron never worked with these writers at all.) Subsequent to the delivery of this script to Carolco, Cameron presented a 45-page Spider-Man screen story to Carolco, which bore substantive similarities to a number of earlier screenplay drafts, particularly one written by Ethan Wiley (writer House (film) and writer/director of House 2). When Carolco went into bankruptcy, all previous "Spider-Man" scripts were acquired by MGM-UA, including the "Cameron material," i.e., both the multi-author screenplay and the later treatment credited solely to Cameron. MGM in turn sold the material to Columbia Pictures in exchange for Columbia dropping their plans to do an alternative James Bond series based on the Kevin McClory Bond material. Columbia hired David Koepp to adapt Cameron's treatment into a screenplay, and Koepp's first draft is taken often word-for-word from Cameron's story, though later drafts were heavily rewritten by Koepp himself, Scott Rosenberg, Alvin Sargent (husband of producer Laura Ziskin), and (allegedly) Ivan Raimi, brother of director Sam Raimi. Columbia preferred to credit David Koepp solely, and none of the scripts before or after his were ever examined by the Writers Guild of America to determine proper credit attribution. Cameron and other writers objected, but Columbia and the WGA prevailed. In its release in 2002, Spider-Man (film) had its screenplay was credited solely to Koepp.http://www.hollywood.com/news/detail/id/311891

Unable to make Spiderman, Cameron moved to television and created the story of Max Guevara, a new Superhero#Female superheroes. Dark Angel, was influenced by cyberpunk, biopunk, current superhero genres, and third-wave feminism:

After the Sarah Connor (Terminator)s and Ellen Ripleys of the eighties, the nineties weren't so kind to the superwoman format --Xena: Warrior Princess excepted. But it's a new millennium now, and while Charlie's Angels (film) and Crouching Tiger, Hidden Dragon are kicking up a storm on movie screens, it's been down to James Cameron to bring empowered female warriors back to television screens. And tellingly, Cameron has done it by mixing the sober feminism of his The Terminator and Aliens (film) characters with the sexed-up Girl Power of a Britney Spears concert. The result is Dark Angel, a weekly action series that's burning up the ratings on America's Fox Network and has recently premiered in the UK. http://www.darkangelfan.com/news/254.shtml

Co-produced with Charles H. Eglee, Dark Angel (TV Series) starred Jessica Alba as Max Guevara, a genetic engineering transgenics super-soldier created by the super-secretive Manticore organization. It also starred Michael Weatherly as Logan Cale, and noted actor John Savage (actor) (of The Deer Hunter) as Colonel Donald Michael Lydecker. While a success in its first season, low ratings in the second led to its cancellation. Cameron himself directed the series finale, a two-hour episode wrapping up many of the series' loose ends.

Current projects Cameron's recent projects have included undersea documentaries on the German battleship Bismarck (Expedition: Bismarck, 2002) and the RMS Titanic (Ghosts of the Abyss (2003, in IMAX 3D), and Tony Robinson's Titanic Adventure (2005) Titanic Adventure (2005) (TV) at IMDb). He was a producer on the 2002 film Solaris (2002 film), and narrated The Exodus Decoded.

Cameron is a leading advocate for stereoscopic digital 3-D film films. Ghosts of the Abyss was shot in 3-D, as will his next projects, Avatar (film), The Dive and an adaptation of the manga series Battle Angel Alita. Cameron sees Battle Angel Alita as a "three film cycle".

Avatar, previously known as Project 880, has an estimated budget of $200 million, is currently in pre-production for a mid-2009 release, and will mark his first feature film since 1997's Titanic (1997 film). It will be almost entirely composed of computer-generated animation, using a more advanced version of the "performance capture" technique used by director Robert Zemeckis in The Polar Express (film).

He is also co-rewriting the screenplay for a high-definition 3-D live-action deep-sea-diving drama entitled James Cameron's Sanctum, to be produced by himself and directed by Gary Johnstone. Sanctum will have a relatively-low starting budget of about $20 million.

In addition, he plans to create a 3-D project about the first trip to Mars. ("I've been very interested in the Humans to Mars movement — the 'Mars Underground' — and I've done a tremendous amount of personal research for a novel, a miniseries, and a 3-D film.") He is on the science team for the 2009 Mars Science Laboratory.http://www.msss.com/msl/team.html

Cameron announced on February 26, 2007, that he, along with his director, Simcha Jacobovici, have documented the unearthing of the Talpiot Tomb, which is alleged to be the tomb of Jesus. Unearthed in 1980 by Israeli construction workers, the names on the tomb are claimed, by Cameron, to correlate with the names of Jesus and several individuals closely associated with him. Cameron further claims to have DNA tests, archaeological evidence, and Biblical studies to back up his claim. The documentary, named The Lost Tomb of Jesus, was broadcast on the Discovery Channel on March 4, 2007

Marilyn Manson made a 3D video for the first single from his new album "Eat Me, Drink Me", "Heart-Shaped Glasses", which is an extract from a 3D horror movie which Manson will continue filming at the beginning of 2008 with James Cameron.

Awards Cameron received the Nebula Award#Other Nebula Ceremony Awards from the Science Fiction and Fantasy Writers of America in 1991 — but, being primarily thought of as a genre filmmaker, he did not receive any major mainstream filmmaking awards prior to Titanic (1997 film). With Titanic, Cameron received the Academy Awards for Best Editing (shared with Conrad Buff IV and Richard A. Harris), Best Picture (shared with John Landau), and Best Director.

In recognition of his contributions to underwater filming and remote vehicle technology, the University of Southampton awarded Cameron the honorary degree of Doctor of the University. Cameron received his degree in person at the graduation ceremony in July, 2004.

Recurring cast members Cameron often casts certain actors more than once in his films. Cameron has mostly worked with Bill Paxton in The Terminator, Aliens (1986 film), True Lies, Titanic (1997 film) and Ghosts of the Abyss. Michael Biehn was also in The Terminator, Aliens (1986 movie), The Abyss and a deleted scene from Terminator 2: Judgment Day. Lance Henriksen appeared in Piranha II: The Spawning, The Terminator, Aliens (1986 movie), and narrated Expedition: Bismarck. Jenette Goldstein appeared in Aliens (1986 movie), Terminator 2: Judgment Day and Titanic (1997 film). In addition to starring in the Terminator films, Arnold Schwarzenegger also starred in True Lies. In February 2007 Sigourney Weaver was cast for Cameron's upcoming film Avatar (film) after having worked with him on Aliens (1986 film) as lead actress.

Recurring themes Cameron has been concerned by the prospects of nuclear holocaust, a theme in each of his movies from 1986 through 1994.

While The Abyss dealt with deep sea exploration (shot on a studio set), Cameron himself became an expert in the field of deep sea wreckage exploration exploring the wreckage of RMS Titanic and German battleship Bismarck.

Filmography (Director) {| class="wikitable"|-! Year !! Title !! Genre !! Other notes !! Estimated Budget|-| 1978 || Xenogenesis || Sci-Fi || with Randall Frakes (co-director) |||-| 1981 || Piranha II: The Spawning ] || Sci-Fi / Action / Horror || || $ 6,400,000 USD|-| 1986 || Aliens (1986 film) || Sci-Fi / Action / Horror || || $ 18,500,000 USD|-| 1989 || The Abyss] || Sci-Fi / Action || || $ 92,000,000 USD|-| 1994 || True Lies] || Sci-Fi / Action || with John Bruno & Stan Winston (co-directors) ] || Disaster / Drama / Romance || || $ 195,000,000 USD|-| 2000–2002 || Dark Angel (TV series) || Television drama || |||-| 2002 || Expedition: Bismarck ] || |||-| 2003 || Ghosts of the Abyss ] / 3-D || |||-| 2005 || Aliens of the Deep ] / 3-D || |||-| 2007 || Heart-Shaped Glasses (When the Heart Guides the Hand) ] |||-| 2009 || Avatar (film) || Sci-Fi / 3-D || filming || $200,000,000 USD|-| TBA || Battle Angel || Sci-Fi / 3-D || pre-production |||-| TBA || The Dive || Drama || |||}

Filmography (Screenwriter) {| class="wikitable"|-! Year !! Title !! Genre !! Other notes|-| 1978 || Xenogenesis || Sci-Fi || with Randall Frakes (co-writer)|-| 1984 || The Terminator ] (co-writer)|-| 1985 || Rambo: First Blood Part II ] (co-writer)|-| 1986 || Aliens (1986 film) || Sci-Fi |||-| 1989 || The Abyss ] || Action / Drama || with Kathryn Bigelow (co-writer)] || Sci-Fi || with William Wisher Jr. (co-writer)] || Action / Comedy |||-| 1995 || Strange Days (film) || Sci-Fi / Drama || with Jay Cocks (co-writer)] || Sci-Fi / Action || with Gary Goddard & Adam J. Bezark (co-writers)] || Disaster / Drama / Romance |||-| 2000–2002 || Dark Angel (TV series) || Television drama || (pilots)|-| TBA 2008 || James Cameron's Sanctum ] (co-writer)|-| 2009 || Avatar (film) || Sci-Fi / 3-D |||-| CBA || Battle Angel || Sci-Fi / 3-D |||}

He also wrote early drafts of Spider-Man (film) and X-Men (film) and had input into Alien Nation. He is also credited with giving the Predator character the dreadlock-look, after sharing ideas with Stan Winston. His screenplay for A Crowded Room, a thriller about a person suffering from Dissociative identity disorder, eventually became a casualty of the long pre-production nightmare. A heavily-rewritten screenplay to The Crowded Room is currently being produced under the direction of Joel Schumacher.

Personal life Cameron has been married five times: Sharon Williams (1978-1984), Gale Anne Hurd (1985-1989), Kathryn Bigelow (1989-1991), Linda Hamilton (1997-1999, one daughter), Suzy Amis (2000-, one son, two daughters).

He has been described by one collaborator, author Orson Scott Card, as selfish and cruel. When asked about working with Cameron on the novelization of The Abyss, Card said the experience was "Hell on wheels. He was very nice to me, because I could afford to walk away. But he made everyone around him miserable, and his unkindness did nothing to improve the film in any way. Nor did it motivate people to work faster or better. And unless he changes his way of working with people, I hope he never directs anything of mine. In fact, now that this is in print, I can fairly guarantee that he will never direct anything of mine. Life is too short to collaborate with selfish, cruel people."Author Chat Transcript, Barnes and Noble, August 31, 1999,

Cameron has a famously explosive temper. The Independent compares him with the tyrannical Attila the Hun: "he man is also, by all accounts, a nightmare to work with. Studios have come to fear his habit of straying way over schedule and over budget. He is notorious on set for his uncompromising and dictatorial manner, as well as his flaming temper - he's been called the film-making equivalent of Attila the Hun." Andrew Gumbel, "The Return of James Cameron," The (London) Independent, Jan 11, 2007

Appearances

Entourage (TV series)
The Muse (film)
Saturday Night Live

Quotes

"I think the most important thing if you're an aspiring film-maker is to get rid of the 'aspiring'... You shoot it, you put your name on it, you're a film-maker. Everything after that, you're just negotiating your budget."
"I love working with 3-D cameras. I don't want to go back to shooting on film. I don't want to go back to shooting in 2-D"

References External links

The Exodus Decoded
Life's Abyss and Then You Die (Interview with James Cameron from the L.A. Weekly) by Michael Dare
Bones of Jesus found, Canadian documentary claims

{{succession box| title=Academy Award for Best Director | before=[Anthony Minghella
for The English Patient]
for Saving Private Ryan-->{{succession box]| years=1998
for Titanic (1997 film) | before=Milos Forman
for The People Vs. Larry Flynt]
for Saving Private Ryan-->

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